Harry N. Abrams, April 2001. Hardcover. A very good copy in a very good dust jacket. The art scene in Cuba is thriving as never before. Young, politically active artists are stretching the limits of creative freedom and, as tourism to Cuba continues to increase, making their mark in the.....
Parragon, January 2002. Hardcover.
Natl Gallery of Art, March 2000. Hardcover.
Arts Museum, January 1996. Trade Paperback.
Collier's, 1905. First Edition. Trade Paperback. Issue offered complete. Front cover color illustration by Maxfield Parrish. B/W headpiece, p. 10, by Parrish. Full-page cartoon by E. W. Kimble. 2-page color illustration by Frederic Remington. Rear cover color illustrated ad for The Haynes-Apperson Company (automobile). First edition (first printing). Very good.....
Saturday Evening Post, 1904. First Edition. Trade Paperback. 9 issues, each complete. Front cover color illustrations by Herman P. Feifer, J. J. Gould (2), Emlen McConnell (2); Guernsey Moore; James Preston (2); Karl Anderson; J. C. Leyendecker. Great rear cover color illustrations for Oldsmobile (2), Ralston Purina, Washburn-Crosby Company Flour.....
Hudson Hills Press, (2010). First Edition. Hardcover. 609 pages. 9-1/2 by 12-1/4 inches. The 'first definitive account of the Tonalist movement that galvanized America's artistic life in the decades around 1900' -- from the jacket flap. With more than 600 illustrations, mostly in color. First edition (first printing). Near fine.....
Amon Carter Museum, June 1976. Trade Paperback.
The MIT Press, March 1999. Trade Paperback. To Conserve a Legacy documents an outstanding sampling of paintings, prints, drawings, photographs, and sculptures owned by Clark Atlanta University, Fisk University, Hampton University, Howard University, North Carolina Central University, and Tuskegee University. Many of this nation's Historically Black Colleges and Universities (HBCUs).....
Stemmer House Publishers, October 1985. Trade Paperback. Contains featherwork, wood carving, mat weaving, stone carving and more, representing stylised creatures and geometric patterns.
Abbeville Press, January 1983. Hardcover.
New York: Metropolitan Museum of Art and Harry N. Abrams, January 1994. Hardcover. "A true historical painter ... is one who paints the life he sees about him, and so makes a record of his own epoch." This principle, voiced by the Impressionist Childe Hassam, was heeded by the artists.....
Little Brown & Co, September 2002. Trade Paperback. Originating in the early seventies, Chicano art long remained unrecognised by the art and gallery world. This text features the work of 26 Chicano artists and marks the transition of this unique and exciting movement into the critical fold of contemporary art.....
California Center for the Arts Museum, January 1995. Trade Paperback.
Smithsonian Books, April 1979. Hardcover.
Smithsonian, September 1993. Trade Paperback. Richly illustrated with works of both high culture and commercial kitsch - many of them never before reproduced - South of the Border revisits an era when Mexico captured the North American imagination. Between the final years of the Mexican Revolution of 1910-17 and the.....
Little Brown & Co, September 2002. Trade Paperback. Originating in the early seventies, Chicano art long remained unrecognised by the art and gallery world. This text features the work of 26 Chicano artists and marks the transition of this unique and exciting movement into the critical fold of contemporary art.....
Abbeville Press, June 1987. Hardcover.
Book Sales, March 1988. Hardcover.
Little, Brown and Company, 1984. First Edition. Hardcover. 350 pages. Collection of works by 131 artists with a focus on American Western art. Illustrated with both color and black-and-white plates. Near fine in a near fine dust jacket. First edition (first printing). Inscribed by author on half title page. Note.....
California Heritage Museum, 2004. First Edition. Trade Paperback. 56 pages. Exhibition catalog, illustrated in color. First edition (first printing). A fine copy in wrappers (paperback).