Art of the Amur : Ancient Art of the Russian Far East
Harry N. Abrams Incorporated, New York, New York, U.S.A., January 1982. Hardcover.
Harry N. Abrams Incorporated, New York, New York, U.S.A., January 1982. Hardcover.
Iris Books/Oxford Univ. Press, (1939). Hardcover.
International Union of Academies. Oxford University Clarendon Press, 1927, 1931. First Edition. Trade Paperback. Oxford Fascicle 1: x1, [1], 52 pages of text with Great Britain plates 93-142; Oxford plates I-L. Oxford Fascicle 3: viii, 53-132 pages of text with Great Britain plates 381-431. Both Fascicles in ribbon-tied folders. First.....
Veb E. A. Seemann, 1957. Hardcover.
Metropolitan Museum of Art, June 1986. Trade Paperback.
Khelovneba publishers, Tbilisi, January 1979. Hardcover.
St. Martin's Press, January 1980. Hardcover.
Metropolitan Museum of Art, 2000. Trade Paperback. 305 pages. Profusely illustrated. A near fine copy in wrappers (paperback). Bump to one rear corner.
George Braziller, February 1977. Hardcover.
Iskusstvo, 1969. Hardcover. 199 pages.
Iris/Oxford University Press, January 1939. Hardcover.
1951. Trade Paperback. Letter, 5.8 x 8.25, holograph, not in artist's hand but signed by Marino Marini with his distinctive signature. In Italian. Marino Marini ( 1901-1980) was an Italian sculptor, winner of the 1952 Grand Prize for Sculpture at the Venice Biennale. His work is represented in many international.....
Park Street Press, January 1997. Trade Paperback. - A full-color collection of Eastern erotic art that presents lovemaking as a highly spiritual expression. - Brings together some of the finest examples of erotic art from India and Nepal, including pieces from the private collection of Nepalese royalty. - Includes commentaries.....
Peabody Museum Press, December 2004. Trade Paperback. Historic black-and-white photographs and striking color images of archaeological and ethnographic objects enhance this introduction to one of the world's most significant Central and South American anthropological collection. Encounters with the Americas also places the museum in a living context through first-person accounts.....