Yale University Press, 2005. Hardcover. A near fine copy in a very good dust jacket. Copy has minor staining on title page, but is otherwise clean and undamaged. Dust jacket has slight buckling on the bottom front, and shelf wear at the top spine. A very nice copy. Ten years.....
University Press of Mississippi, 2002. Hardcover. 84 pages. Exhibition catalog Near fine in a near fine dust jacket. This companion publication to a marvelous exhibition at the Mississippi Museum of Art (from April 6 through June 30, 2002) presents a selection of Eudora Welty's black-and-white photographs taken in the 1930s.....
Shambhala, October 2005. Trade Paperback. A paperback copy in very good condition. One of the delights of life is the discovery and rediscovery of patterns of order and beauty in nature--designs revealed by slicing through a head of cabbage or an orange, the forms of shells and butterfly wings. These.....
Gourcuff Gradenigo, September 2015. Trade Paperback. A paperback copy in very good condition. In 1890, Claude Monet bought a house at Giverny in Normandy. Soon he had laid out the first of the three studios in which he could paint. Now the garden that was to be a constant source.....
Broadway Books, May 2009. Hardcover. A very good copy in a very good dust jacket. "Behind almost every painting is a fortune and behind that a sin or a crime." With these words as a starting point, Michael Gross, leading chronicler of the American rich, begins the first independent, unauthorized.....
Thames & Hudson, September 2001. Trade Paperback. A paperback copy in very good condition. In 1932, against the troubled background of the Depression, the American art community had its first glimpse of the revolutionary art of the Surrealists. Combining a fascination for Freud's new symbolic language of dreams with a......
Oxford University Press, April 2009. Trade Paperback. Very good paperback copy. Here is a new edition of Donald Preziosi's masterful selection of the most influential and innovative writing on art history of the past two centuries. The book includes over thirty pieces by seminal thinkers and writers from Winckelmann, Kant.....
Time Warner Books UK, January 2004. Trade Paperback. Very good paperback copy.
Phaidon Publishers, Inc., January 1969. Hardcover. A very good copy in a very good dust jacket.
Controluce, 2017. Hardcover. 259 pages. 8-3/4 by 9 inches. 'The Recurrent Actuality of the Baroque is a book about visual art. It deals with the broken continuity in time from the historical Baroque to the contemporary one. The text follows a comparative method of study based upon recent research in.....
Martinus Nijhoff, 1953. First Edition. Hardcover. 240 pages with 45 B/W plates. First edition (first printing). A near fine copy in dark blue cloth covers with gilt lettering on spine. No dust jacket.
Stuart Art Gallery, 1952. Pamphlet. Very good in wrappers (paperback).
Oxford Univ Pr, November 2004. Hardcover. A very good copy in a very good dust jacket. A true genius whose talents embraced painting, engineering, anatomy, and flight, Leonardo da Vinci was--and remains--an extraordinary human being, indeed one of the most intriguing figures in world history, as the recent success of.....
Raccolta Vinciana, 1960. First Edition Thus. Trade Paperback. Estratto da 'Raccolta Vinciana,' Fascicolo XVIII, pp. 53-63. Text in Italian. First edition (first printing). A near fine copy in wrappers (paperback).
1868. Ephemera. Single sheet folded to create 4 pages 3.9 x 6.25 inches when folded. Written on 3 sides. John Rogers Herbert (1810-1890 was an English painter and notable precursor to Pre-Raphaelitism. ALS, headed Ramsgate, June 22, 1868, addressed 'My dear Sir' thanks adressee for the invitation which he cannot.....
n.d. Ephemera. Single sheet 5.1 x 8 inches. In French. Paul DelaRoche (1997-1856) was a French painter famous for his scenes from French and English history. ALS in French, not dated, addressed 'Monsieur' approximately 40 words, signed Paul DelaRoche. Letter previously folded in half.
Frederic Fairchild Sherman, 1918. First Edition. Hardcover. 112 pages. Frontis illustration with tissue guard. 60 additional illustrations in B/W on coated paper. First edition (first printing). A very good copy in green cloth covers with leather label on spine with title in gilt. Label is scuffed. Edge and corner wear.....
Yale Center for British Art, 1981. First Edition. Trade Paperback. 7 page essay; 62 works in the exhibit; 11 are illustrated in B/W. First edition (first printing). Very good in white wrappers (paperback).
Rachel Adler Gallery, 1987. First Edition. Trade Paperback. Unpaginated, 4 page essay with 28 illustrated works, 4 in color. First edition (first printing). A near fine copy in illustrated wrappers (paperback).
Centre National d'Art et de Culture Georges Pompidou, 1977. First Edition. Trade Paperback. 133 pages. Interesting catalogue of works reflecting the literary world of Paris in the early 20th century. Text in French. First edition (first printing). A near fine copy in illustrated wrappers (paperback). Mild edge wera to wrappers.....
Verlag Karl W. Hiersemann, 1906. First Edition. Trade Paperback. 209 pages plus ads. Kunstgeschichtliche Monographien III. B/W illustrations. Text in German. First edition (first printing). Very good copy in wrappers (paperback). Tanning to spine.
Dover Publications, Inc., 1967. Trade Paperback.
Atlantic Monthly Press, 1995. First Edition. Hardcover. 398 pages. Illustrated. Mailer won the Pulitzer Prize twice, once for fiction and once for non-fiction. First edition (first printing). A fine copy in a fine dust jacket.
Max Kitaj, n.d. Novelty. 9 pages. Max Kitaj is the son of R. B. Kitaj and Sandra Fisher. This project was submitted as part of a class assignment. Text printed in blue ink. Illustrated artistic cover sheet. Note from professor/instructor on sticky-note at end.
Yale University Press, December 2010. Hardcover. This remarkable book is the first of two volumes in what will be the definitive modern biography of Michelangelo. An illuminating study of Michelangelo's extraordinary career, it follows the artist from his apprenticeship in Ghirlandaio's workshop to hisfinal move to Rome in 1534, when.....